JOOST SMIERS & MARIEKE VAN SCHIJNDEL. Imagining a world without copyright. Copyright once was a means to guarantee artists of a decent income. About Joost Smiers from the University of Chicago Press website. Bittere tranen, goede moed: er is meer aan de horizon dan Trump en dat is pas ├ęcht gevaarlijk. 11 May by Joost Smiers. Currently unavailable.

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She works in the cultural field in the Netherlands. See the license information for further details.

File:With Joost – Wikimedia Commons

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Joost Smiers – Wikipedia

Immediately comes to mind that copyright provides an investment protection to blockbusters, best sellers and stars. Views View Edit History. She smiera in Utrecht. From the perspective of democracy and fair competition this type of market control is not to be tolerated. Institute of Network Cultures, Amsterdam He lives in Amsterdam.


You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. Franco Iacomella Joost Smiers. At the same time, cultural conglomerates controlling copyright dominate cultural markets by owning the means of production, distribution, marketing and reception of cultural expressions.

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It distorts cultural markets and pushes a wide variety of cultural expressions out of sight. By using this site, you agree to the Terms of Use and Privacy Policy. The result is a level playing field in which many, and many more artists can make a decent living. Retrieved from ” https: Smiera even more important effect would be the restoration of our public domain of creativity and knowledge.

Summary [ edit ] Description With Joost Smiers. This page was last edited on 1 Juneat Thus, let us imagine what abolishing copyright would accomplish, while we do not hesitate cutting cultural conglomerates into many pieces.


This file is licensed under the Creative Commons Attribution 2. This file has an extracted image: Its license was verified as “cc-by This image was originally posted to Flickr.

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The following page uses this file: Promoting Cultural Diversity in the Age of Globalization has been translated into ten languages. His Arts Under Pressure.

If we recognize that copyright is unfeasible, and unjustifiable, what should our response be? This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, smifrs software program used to create or digitize it. Marieke van Schijndel is a cultural scientist and MBA graduate.